Author Archives: AAPC

Applications to Projective Cities MPhil in Architecture and Urban Design are now OPEN.

Early Applications deadline: Friday, January 29, 2021.

BURSARIES AND FULL SCHOLARSHIPS available.

More information about how to apply in the following link:

https://www.aaschool.ac.uk/admissions/postgraduate

More information about our programme:

https://www.aaschool.ac.uk/academicprogrammes/postgraduate/projective-cities

The MPhil in Architecture and Urban Design (Projective Cities) is a 18-month, interdisciplinary research and design programme that examines multi-scalar questions arising at the intersection of architecture, urban design and planning.

Projective Cities is a critical forum to engage with questions of governance and development in the context of global challenges of urbanisation. Its objective is to respond to current urban, environmental and social crises by rethinking the agency of spatial design and development within specific political, economic, social and cultural contexts.

Projective Cities prepares its candidates for independent research through a framework of rigorous design and research methodologies. The first year of the programme is taught, introducing students to research methods, academic writing, architectural and urban histories and theories, advanced analytical techniques and computational design in preparation for a substantial dissertation project. At the end of the first year, students submit a research proposal. This is developed in the second year, leading to an integrated design and written dissertation.

Projective Cities seeks candidates with a desire to develop substantial and original research. It seeks exceptional thinkers, gifted designers and critical writers with an interest in the future of our cities.

Recent and ongoing research projects in London, Athens, Barcelona, Bangkok, Beijing, Wuhan, the region of Silesia in Poland, Berlin, Jakarta, Leipzig, Shanghai, among others. Collaborations with academic institutions, municipalities, collectives, cooperatives, multi- and interdisciplinary practices.

image captions:

Wojciech Mazan, ‘Proximal Relations: Forms of Settlement, Dwelling and Territory in Opole-Silesia, Poland’. 2019-20.

Dimitris Chatziioakeimidis, ‘Renovation as a Project: Athenian Post-war Office Buildings as Social Infrastructure’. 2019-20.

Tanapol Kositsurungkakul, ‘Revitalising the Urban Block, Kaisariani, Athens – Greece’. 2019-20.

Athens Virtual Trip

A WEEK OF SEMINARS, LECTURES AND PRESENTATION ORGANISED AND HOSTED BY PROJECTIVE CITIES MPHIL IN ARCHITECTURE AND URBAN DESIGN

14-18 DECEMBER 2020

Athens as a case study, and specifically the neighborhood of Kaisariani, is the focus of the programme term 2 design exercise. A series of collaborations with the local municipality and various stakeholders, academic institutions, practitioners and activists, present and expose AA students in the city’s complex urban and social history, aiming to rethink urban and architectural design practices within the context of 21st century ecological, social, economic and political challenges.

The city and the neighborhood of Kaisariani serve as sites of research and design experimentation, focusing on the development of new housing typologies, renovation projects and various public and collective equipments, while rethinking and promoting the legacy of the refugee population and its social, cultural and political histories and their registry in spatial and design protocols.

Sessions:

Mon      DEC 14:           Introduction, Athens as a case study and Kaisariani Project. 3pm

Platon Issaias, Ioanna Piniara.

                                    Urban Environment Laboratory. 4pm

                                    Nikos Belavilas, Katerina Christoforaki, Polina Prentou.

Tue      DEC 15:           Athens Urban Plans. 11am

                                    Panagiotis Tournikiotis

Renovation as a project: the Athenian office building. 6pm

Dimitris Chatziioakeimidis.

Hellinikon Neighborhoods. 6.30pm

                                    Maria Marlanti, Thanos Pagonis, Kostantinos Serraos.

Wed     DEC 16:           Decentralised interiorities and Athens ‘Long Walk’. 5pm

                                    Olga Balaoura, Elisavet Hasa.                           

Thu      DEC 17:           A Compact City facing Covid-19, Athens Social Atlas. 5pm

                                    Lila Leontidou, Thomas Maloutas.

Fri        DEC 18:           2008-16. Athens Remembered. 5pm

                                    Iris Lykourioti.

– NOTE: times above are local in Athens (GMT +2hrs)

– In English, via Zoom/Teams, follow Projective Cities website and social media.

Public Lectures:

Tue      DEC 15:            Pandemics, the City, a Crystal -plus two Competitions. 8pm

Pandemics and its relation to the City will serve as a short prélude to the presentation of two first Prize competition proposals for Athens -with a time difference of 60 years: Jan Despo’s project for the Athens Cultural Centre (1959) and tense architecture network’s project for the Regeneration of the Athens City Centre (2019).

Tilemachos Andrianopoulos.

Born in Athens (1974). Diploma in Architecture, National Technical University of Athens (2001), Metropolis Msc in Architecture and Urban Culture, CCCB- Universitat Politècnica de Catalunya (2006). Founder of Tense Architecture Network_TAN (2004). Public space and private environments are constantly researched in TAN’S work; the two fields are purposely interconnected. The practice’s portfolio includes several first prize competition proposals as well as awarded residences: ‘Residence in Megara’ received a Häuser Award (2016), Residence in Heraklion was nominated for the Mies van der Rohe award (2017) and ‘Residence in Sikamino’ was shortlisted for the same award (2013), while TAN participated in the Architecture Biennale of Venice twice (2012 and 2014). 1st Prize Competition Proposals: Regeneration of the Athens City Center (2019), Six Star Resort in Mykonos, invited Competition_1st Prize (2019), ‘Kastraki’ Urban Park in Piraeus (2016), Rehabilitation of Venetian Arsenali and their wider surrounding space in Heraklion (2009), Arkalos Town Hall, Crete (2007). Selective architectural competition distinctions: New Passenger Terminal in Souda_3rd Prize (2017), New Cyprus Archaelogical Museum_6th Prize (2017), Museum for Argo in Volos_2nd Prize (2014), Pylaia Cultural Center_2nd Prize (2002). Receiver of the Greek Architecture Award (2020) by domA.archi for the Restoration of the Upper Concert Hall of the Athens Conservatory in collaboration with atelier66. Member of the multidisciplinary group Greenproject (2010), of the Hellenic Institute of Architects (2015), and of do.co.momo international (2015). Associate Professor in the School of Architecture of the National Technical University of Athens. 

Image caption: Michiel Sweerts, ‘Plague in an ancient City’.

Thu      DEC 17:            The law of withdrawal, 8pm

The idea of protocols of withdrawal seems to refer to the condition of the pandemics but it is not so. On the contrary it leads here to a definition of  the city’s normality pre-existing the pandemics and addressing  the future after it; through an investigation about urban withdrawal we are oriented towards a systematic theory of the infrastructure; an updated concept of infrastructure -including the realm of the post digital extensions of it- becomes increasingly visible as a mechanism of withdrawal. Providing services and goods from a distance, this infrastructure can settle a form of “life from a distance”; in the same way it automatically silences all possible technical malfunctions operated in its realm, it glorifies a concept of permanent maintenance as the core of its rationale. By tele-operation this silencing effect of the infrastructure becomes even stronger as a permanent possibility for the gratification of all possible urban or post-urban needs. In this sense the infrastructure seems to not only be the technical support of urban life but the unifying spine of its multiple faces. Any concept of the political has to deal now with the automatisms of infrastructure. 

The law of withdrawal is presented in two chapters: the theory of the cockpit and the status of invisible community, both extended to an architectural practice. Both showcase the double bind between the public and the private sphere of the post network world.

Aristide Antonas’ work spans philosophy, art, literature and architecture. He published novels, short stories, theatre scripts and essays. His art and architecture work has been featured among other places in documenta 14, Istanbul biennial, Venice biennale, and had solo institutional presentations in the Swiss Architecture Museum, in Austria’s Vorarlberger Architektur Institut and in the French FRAC, Orleans.

Image caption: Aristide Antonas, ‘Protocols of withdrawal’.

Barcelona Virtual Trip

A week of seminars, lectures and presentations organised and hosted by Projective Cities MPhil in Architecture and Urban Design.

2-6 November 2020.

After 2019 studio trip, this second edition (first virtual) will deepen in the understanding of the city’s current problems and challenges derived from both contextual matters and historic claims. Organized around a number of daily topics (Introduction, models and governance for affordable housing, resilience, urban subjectivities and designing Barcelona), local guests from different profiles and backgrounds will enable a number of discussions for which the understanding of multiple stakeholders approaches becomes fundamental.

Sessions:

Mon   NOV 2: Barcelona, a brief introduction

Tue     NOV 3: Affordable housing: models and governance

Wed  NOV 4. Resilience

Thu     NOV 5. Urban subjectivities

Fri       NOV 6. Designing Barcelona

_3-6pm. NOTE: times are local times in Barcelona (London +1h).

_ 2 sessions per day, 1h total time. 30’ lecture + 30’ conversation led by students.

_ In English, via zoom/teams.

NOV 2.  – BARCELONA, A BRIEF INTRODUCTION:

15-16:00h Seminar: “Barcelona, Plans and Challenges”. Barcelona’s urban structure and architecture allows a transparent reading of the urban morphology as a result of different historical society structures, political strategies, power deployment forms and city struggles. From ancient roman times, through medieval city, industrial extension (Eixample) and implementation of modern ideas, each moment spatialized socio-political ideas in specific city patterns, while transforming previous ones at its convenience. Exemplified in Barcelona, this seminar will navigate through the relevant urban episodes that made the city of Barcelona, ending up in the 1992s’ so-called “Barcelona Model”, broadly exported, and as much celebrated as criticized. Lecturer: Raül Avilla.

16:15-16:30 break

16:15-17:30h Seminar: “Community Architecture” (1 session, lecturer: Raül). The 2008 real estate bubble burst caused an unprecedented economic crisis, that soon turned into a social and political one. In 2011, the 15M Indignados (Outraged) movement became a spontaneous social movement that politicised society at all levels, producing significant changes in city governance, particularly after 2015 with the rise of the municipalist movement Barcelona in Common, whose members are former activists. This seminar will analyse how a young generation of architects assumed political commitment and social responsibility as their own agenda, shifting their disciplinary tools and protocols, and becoming mediators between administration, technicians and social movements. Closely linked, it will address the new scenario produced by the emergence of cooperative housing and a number of self-managed community facilities. Lecturer: Raül Avilla.


NOV 3: AFFORDABLE HOUSING: MODELS AND GOVERNANCE:

15-16h Josep Maria Borrell |IMPSOL| “NEW PARADIGM IN SOCIAL HOUSING” | Architect, Technical coordinator, IMPSOL-AMB. IMPSOL is the public metropolitan procurement agency in Barcelona, in charge of defining procurement and tenureship models, organizing competitions and coordinating the whole process, from conversations with different municipalities to dwellers, ensuring economic, technical and social feasibility of housing projects. In 2020, a development in Sant Boi won the prestigious FAD award for design (architects: Herreros & MIM). Ongoing projects: shorturl.at/wFRZ8 (usually more information in architect’s website).

16:30-17:30h Clara Triviño  | Sostre Civic Housing Cooperative |. Sostre Civic is one of the most active housing cooperatives in Catalonia, pioneer with the model in Barcelona with c/Princesa housing project. Futher projects include Cirerers (arqs: Celobert), La Balma (arqs: Lacol+la Boqueria), or senior housing cooperative (Walden XXI). https://sostrecivic.coop/projectes

NOV 4.  – RESILIENCE:

15-16:30h Elba Mansilla | “Coòpolis at Can Batlló: a laboratory for public-cooperative-communitarian managment in Barcelona city” |  Elba Mansilla is a graduate Jounalist (Universitat Autònoma de Barcelona) and a founding partner of the cooperative La Ciutat Invisible, where works as a researcher and teacher in Feminist Economy and the Solidarity Economy, is the coordinator of the trainnig area of Coopolis – Barcelona’s Cooperative Center and a regular collaborator of the Feminist Economy Commission of the Solidarity Economy Network of Catalonia (XES). Her work has focused on the power and challenges of the Social Solidarity Economy for the self-organization of women and the feminist social transformation; and in collecting, systematizing and spreading the organizational culture for the formation of no-patriarchal groups and gender mainstreaming in cooperatives.

16:30-17:30h David Bravo Bordas | Architect, activist and educator. Co-author of ATRI strategy (Tactical Accommodations of Inclusive Repopulation, www.atri.city). Co-curator of the exhibition “Piso Piloto” in 2015. Former designer of Barcelona City Council’s strategy against gentrification.

Documentaries to watch in preparation for the seminar:

On urban struggle:

“To Green or not to Green: Four stories of urban (in)justice in Barcelona”. BCNUEJ & Alberto Bougleux, 2020.  Available online:  http://www.bcnuej.org/2020/10/20/to-green-or-not-to-green-four-stories-of-urban-injustice-in-barcelona (with English subtitles).

 “Like an invisible giant: Can Batlló and the Imaginary Cities” [Com un Gegant Invisible. Can Batlló i les Ciutats Imaginàries]. Panóptica & Lacol, 2013. Available online: https://vimeo.com/82442928. (with English subtitles).

On touristification and gentrification:

“Bye Bye Barcelona”. Eduardo Chibás Fernández, 2014.  https://www.youtube.com/watch?v=kdXcFChRpmI. (with English subtitles).

On the right to housing:

“SI SE PUEDE: Seven Days At PAH Barcelona”. Tony Macías, 2018. Available online: https://vimeo.com/323297000. (with English subtitles).

NOV 5.  – URBAN SUBJECTIVITIES:

15-16:30h conversation between:

Sara Ortiz Escalante |Col·lectiu Punt 6. | “Feminist Urban Planning: Towards a Radical Transformation of Everyday life Spaces” | Collective of urban designers and activists, with focus on everyday life experiences and a feminist approach to the city. www.punt6.org. Authors of the book: Urbanismo Feminista [Feminist Urbanism], Virus Editorial, 2019.

Dafne Saldaña |Equal Saree| “Space, Gender, Education” | Equal Saree is a team of architects and researchers who study the impact of spatial configuration on the (re)production of social inequalities. With a feminist approach, our goal is to design inclusive spaces through participation and co-creation with users. We use participatory and innovative methodologies to put people at the center of urban transformations and give a voice to generally neutralized groups. Following these principles, we develop architecture and urban design projects, we design and facilitate community participation processes, and carry out training and awareness-raising actions.

17h Dr. Manuel Bailo Esteve | “Public Catalyst: Against Indiference” | PhD architect and Associate Tenured Professor of Architecture, University of Virginia. Bailo Esteve’s research explores how the public space is activated by Urban Catalysts  – energy and informal agents. Manuel Bailo Esteve has been teaching and lecturing at several different universities  around the world (Harvard, Arizona, Barcelona, etc are the last universities). He founded BAILORULL in Barcelona in 1995 with Rosa Rull; BAILORULL projects crystallize a process of investigation that looks for the balance  between assimilation of new ways of reading landscape taken from extra-architectural  disciplines and focus implementation through a close-to-manufacture technology.

NOV 6. – DESIGNING BARCELONA.

16h H Arquitectes | “The Nature of Building” |HARQUITECTES is an architecture studio established in 2000 and based in Barcelona. It is managed by four partner architects: David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó and Roger Tudó Galí, who count on an ample team of collaborators, such as architects, interior designers and students. All of them licensed between 1998 and 2000 in ETSAV (UPC), where Josep and Roger teach in the Department of Architectural Projects and Technology. Xavier also teaches Projects in the ETSA Barcelona. Their work has received many awards – for built works and also in architectural ideas competitions – and it has been published in many national and international media. They have also been selected in various exhibitions and invited as teachers and lecturers in Europe and America.

Projective Cities Alumni Forum

Date: 19/10/2020
Time: 15:00-18:00
Venue: Zoom, register to attend

https://www.eventbrite.co.uk/e/projective-cities-alumni-forum-tickets-125141514639

Join us for a collective discussion on research by design practices at the intersection between academia, professional practice, activist work and policy making. Projective Cities MPhil in Architecture and Urban Design is inviting distinguished graduates of the programme to share their recent and past work that combines new design trajectories and forms of speculative research, while challenging existing disciplinary boundaries and contributing to emerging multiscalar questions and problematics about the future of cities and the built environment. The forum will discuss individual and shared methodologies, as well as how the programme’s teaching has impacted the future of their practice.

Social Integration Project in Santiago de Chile (Ministry of Housing 2017-2018).

Reinterpretations of the Cité Housing’s Formal and Social Diagrams

The presentation focuses on the analysis and possible reinterpretations of the cité: a typical housing solution for the first half of the 20th century in Santiago de Chile. Through a series of arguments and projects, it is intended to account for the possibilities of using this row housing typology in two novel ways. First, as a means for urban design, including morphological aspects (of spatial and functional proximity) to Santiago’s expansion and densification process. Second, as a mechanism to promote social assemblages and to include domestic programs, aiming at overcoming the limited conception of the minimum dwelling.

ALVARO ARANCIBIA is an architect graduate of the Pontificia Universidad Católica de Chile, holding an MPhil in Architecture and Urban Design (Projective Cities Programme) and a PhD in Architectural Design from the Architectural Association. Since 2007 he has been undertaking research and practice on the problem of social housing and urban design in Santiago. As a researcher, he received the AA Graduate Prize for Research: Outstanding Work 2015-2016 for his PhD thesis ‘The Social Re-Signification of Housing: A Design Guide for Santiago de Chile’. As a practitioner, he has participated in a number of housing competitions, among which stands out the first prize in Architecture and Social Integration: Communities of Different Incomes (2008) and first prize in Socially Integrated Density Housing Design, 290 dwellings in Ciudad Parque Bicentenario (2017). In addition, his practice focuses on commissioned private houses, being the CS House nominated for the Mies Van der Rohe Crown Hall Americas Prize – Emerging Architecture (2016). Alvaro’s writings and design proposals have been published internationally and also has lectured in several universities. Most recently: Universidad de La Salle (México), The Royal College of Art, The Bartlett School of Architecture, The Architectural Association (UK), and Pontificia Universidad Católica (Chile).

“Collective Forms in China – Exhibit at Venice Architecture Biennale (2018)” 

Staying with the Unsettling

The talk will share a personal path of design research, meandering through architecture, anthropology and art. From architectural urbanism adopted at the AA Projective Cities, to design ethnography practiced throughout the doctoral study on Chinese rurality at AA PhD by Design and postdoctoral works on community and governance at the RCA, to the idea of structured ambiguity that explores the form of scroll drawing as a synthesis of research and a means of argumentation, then to the deep entanglements between agents of the Earth and planetary feedback loops as an architectural domain, I hope to reflect on my practice as a design researcher that does not dwell on a defined subject matter, but rather as a form of personal enquiry, and indeed struggle, driven by an urge to unsettle the domination of all those constituted as others, which underpins the rather wide ranging themes, i.e. diverse ways of cultural knowing and being, non-canonical histories and socio-spatial models, and alternative cartographic imaginaries. The ultimate questions I seek to explore are: To whom are we responsible and accountable? And what might be the constitutive role of architecture in the production of knowledge, imaginations and practices concerning these responsibilities and accountabilities?

JINGRU CYAN CHENG is currently a design tutor in MA Architecture (ADS7) and postdoctoral research associate at the Royal College of Art. She holds a PhD by Design and an M.Phil Projective Cities from the Architectural Association in London. Cyan’s doctoral work on Chinese rurality, domesticity, and the resistance and care in the practices of rural dissolved households, received a commendation by the RIBA President’s Awards for Research (2018). Her postdoctoral research centres around the idea of the collective, the construct of collective subjectivities, and the socio-spatial design of community. Another line of Cyan’s work, through studio teaching and exhibition practice, looks into the atmosphere as a transformative terrestrial subject that reshapes global and local politics, as well as struggles and conflicts in the climate crisis. Cyan’s work has been exhibited at Critical Zones: Observatories for Earthly Politics (2020-21), Seoul Biennale of Architecture and Urbanism (2019), Venice Architecture Biennale (2018) and Beijing Design Week (2016), among others.

Rethinking housing and care cooperatives, from dissertation to practice.

Rethinking Housing and Care Cooperatives in the Netherlands

In recent years, cooperatives and social support networks have come to the centre of attention in search for an alternative response to traditional forms of assistance. Community-led care networks such as Buurtzorg, District Care, and care cooperatives are being developed in the Netherlands as a result of new legislation. Through the administration of the Right to Challenge (2016), the funding of community organisation and the establishment of the cooperative in the Housing Act (2015 and 2020), the Dutch government is framing cooperatives as an urban strategy to develop social initiatives, decentralised care models and affordable housing in order to renew neighbourhoods.
Through an analysis of housing acts, spatial forms and dwelling types the seminar reflects on the role of housing (cooperatives) in relation to healthcare and wellbeing. Moreover, the seminar illustrates how the shift towards decentralised care models has led to new design questions about the use and organisation of the home environment in relation to care work, district services and cluster living. The aim of the seminar is to start an open discussion on how we can challenge and rethink the dwelling as an infrastructural project to organise the provision of support, services and cooperation.

GIANNA BOTTEMA holds a MSc in Architecture from Delft University of Technology and a Taught MPhil (Projective Cities) in Architecture and Urban Design from the Architectural Association in London. Her thesis was focussed on the development of housing and care cooperatives and formed an investigation into decentralised and cooperative care models in the Netherlands. Currently, she is working as an architect on different housing projects and developing the research projects Collective Home Ownership: New Protocols for Architecture, and Vital Home: Dwelling as an Infrastructural Project.

Experimental Cell Partition Walls for the Millbank Penitentiary by Michael Faraday and Abel Blouet.

From Violin to Axes: Falling in love with Robin Evans

Through the cell partition detail, Evans displays architecture’s agency where the designer is questioning what it means to be isolated? It is the moment where architecture pushes back and demands a reckoning in an existing political order. Evans’ writings were my gateway into understanding what architectural agency meant, which was one of the more enduring take-aways from Projective Cities that has underlined the teaching I did in Aarhus and my own research since. I will retrospectively look at some of my own work since 2013, linking it back to some of the important moments in the programme and Evans’ essays that guided me during this journey.

NAINA GUPTA is an architect with a BArch from India, and a March and a MPhil from the Architectural Association (AA) in London, U.K. Currently she is completing her PhD. at the AA and her research is titled A Curious Constellation: An International Sensibility and Modern Architecture, that departed from her MPhil dissertation titled Palaces Without A People: Constructing a Post-National Forum, which was done at Projective Cities. She has practiced as an architect in India, Singapore, the Netherlands, and Russia. Between 2015-2018 she taught a unit at Aarhus School of Architecture in Denmark.

Barcelona’s Besós Frontline on top of the ringroad. Avilla + Llindar

‘Housing Systems’

In every major city, housing is being disputed as a right and as a commodity within a transformation process that affects its urban fabric as much as its social structure. Architecture and urban design play major roles in these transformations, as they are seen as instruments both by public authorities and developers. With the PC dissertation “The Role of Public Housing in Barcelona” (2018) I analysed the impact of local associations and dwellers both during the design process and once the building is inhabited, reconsidering notion of standards – “what” and “for whom” – and shifting traditional housing design and procurement process by starting it from the domestic space. This lecture will present the continuation of that research after 2018 through public and cooperative housing projects in Barcelona.

RAÜL AVILLA-ROYO  is an architect and researcher. He studied architecture in Barcelona School of Architecture (ETSAB-UPC) and in the Accademia di Architettura di Mendrisio (AAM-USI), after which he pursued a Taught MPhil at the Architectural Association (AA). He is currently tutor at MPhil in Architecture and Urban Design (Projective Cities) at the AA and since 2013 he runs his own practice, focused on public and cooperative buildings. He is also PhD candidate at the Royal College of Art in London (RCA) and member of the collective Arquitectos de Cabecera in Barcelona.

From Haringey to the Bronx.

Just Housing

Focusing on two large scale projects in London and New York, the lecture will reflect on Ricardo’s experience working in the early phases of design for affordable, cooperative living schemes in Haringey and the Bronx. The projects span his time as a student researching for his thesis and as a practising architect, both with the aim to conceive just housing.

RICARDO PALMA is an architect who graduated in Architecture and Design from the Instituto Superior de Arquitectura y Diseño (ISAD), Chihuahua and from the Architectural Association School of Architecture in London. Ricardo has worked in Mexico City, Copenhagen and New York where he currently resides. His dissertation focused on community-led housing in Haringey, and thereafter he went on to work on an affordable housing project in the Bronx.

Workers’ housing of the former State Agricultural Farm, in Opole Voivodeship, Poland. Source: Archive of the ‘Trouble in Paradise’ exhibition, photo: Wojciech Mazan, 2019. 

Hidden Remains
Architecture of Former Workers Settlements of State Agricultural Farms in Contemporary Poland

Wojciech Mazan is an architect, he graduated with an MPhil in Architecture and Urban Design (Projective Cities) from the Architectural Association School of Architecture in London, and with an MSc from the Faculty of Architecture of the Wrocław University of Technology and studied at the Rotterdam Academy of Architecture and Urban Design. In 2017 he co-founded architectural practice PROLOG, which curates Polish Pavilion at the 17th International Architecture Exhibition preparing the project concerning the countryside of Poland named ‘Trouble in Paradise’. He currently works as an assistant researcher at the Royal College of Arts in London.

Guest Seminar: Charlotte Johnson

Infrastructural Communities

Image from Engineering Comes Home, taken by Kat Austen.

The scale of the climate crisis requires radical rethinking of urban life. As an anthropologist working on the relationship between the built environment and resource consumption, my approach is to focus on everyday practices of care and alternative forms of exchange. I draw on the recent turn to material politics to look in particular how infrastructural connections enable alternative interpretations, forms of value and action.   The drive to retrofit the city with less resource intense living often includes a rescaling of infrastructure as policy makers hope to better align demand with locally available resources. This delineates groups of people who share key parts of the system, such as a secondary electricity substation or a drainage network. These urban neighbours may not know one another or hold values in common and yet their individual actions can be aggregated to provide system-level services. Thinking of these groups as residents who share a material connection that may or may not align with how they identify with location or interest-based groups provides a useful lens for both critique and intervention. In this talk, I discus a number of interdisciplinary projects that have worked with these ‘infrastructural communities’ to understand the possibilities for action on resource consumption through the built environment. 

Charlotte Johnson is a Senior Research Associate in Urban resources & communities, Bartlett School for Environment, Energy & Resources (UCL). She is an anthropologist specialising in urban sustainability, with a focus on decentralised infrastructure and how it can produce transformative social action.  She is currently working with community energy groups trialling Peer-2-Peer electricity markets, and leads community co-design of water infrastructure on the NERC funded Community Water Management for a Liveable London (CAMELLIA) project.

Guest Seminar: Geraldine Dening, Architects for Social Housing.

‘Architects for Social Housing: For a Sustainable Architecture’

The urban conditions that we have been witnessing and responding to in London over the past 5 years are a direct result of the global phenomenon of the privatisation, marketisation and financialisation of housing, the neo-liberalisation of our processes of development, and the consequent decimation and destruction of our urban communities, environments and cultures in favour of short-term financial gain and increasing inequality. Simultaneously, the issue of sustainable cities, or more accurately ‘how we can develop sustainability’, is one of the most urgent issues of our time, and one in which architects and fellow built-environment professionals have both the opportunity and the duty to take a leading role. To be genuinely sustainable, just and equitable development must go far beyond the simplistic notions of the environment characterising so-called ‘green’ architecture. Architectural approaches must not only improve the physical, built and ‘natural’ environments in which we live, but also be socially beneficial and financially viable if we are to call them truly sustainable. Very few architectural treatises on the environment talk about the relationship of the environment to the economy, to the social dimension of the environment, or its relationship to the political sphere. The work of ASH pushes all these constituent contexts to the forefront of the architectural debate.

Geraldine Dening is the co-founder and Director of Architects for Social Housing (ASH), and a qualified architect with her own practice based in London. She is also a senior lecturer at the Leicester School of Architecture, where she lectures on professional practice and ethics, as well as running a design studio. In 2018 Geraldine was named by the Evening Standard newspaper as one of London’s 30 most influential architects. and with ASH co-founder Simon Elmer she is working on a book titled ‘For a Socialist Architecture’. Recent projects with Architects for Social Housing include designs and feasibility studies for additional housing and improvements to 6 council and social housing estates in London threatened with demolition. These include proposals to increase the housing capacity on Central Hill Estate in South London by up to 50% with no demolition, and on West Kensington and Gibbs Green Estate, as part of the community’s application for the Right to Transfer the estate into community ownership. She also devised and co-ordinated Open Garden Estates, a series of events hosted by estates threatened with demolition. As ASH’s lead architect she is also currently working with a number of housing co-operatives to explore new forms of community-led development.

Guest Seminar: Cristina Gamboa, Lacol, Barcelona.

Radical Daily Practices

Lacol, LaBorda, Barcelona.

The lecture will describe the relation between the development process of LaBorda, the first housing cooperative built in Barcelona, and its architectural definition. Once the property is at stake and the focus is on use, the requests for the architecture change. In the case of LaBorda, the housing need motivation was also challenged by the transition towards sustainability, in the broadest way possible: political, social, economic and environmental.

Cristina Gamboa – Lacol arquitectura cooperativa Barcelona

Cristina is a chartered architect and teacher. She Is currently a Studio Master at Projective Cities, MPhil in Architecture and Urban Design. She studied at the Barcelona School of Architecture ETSAB / UPC, and the Faculty of Architecture and Urban Planning / University of Stuttgart. Cristina is co-founder of Lacol, a cooperative of architects established in 2014 in Barcelona, where she has focused on researching participative approaches to design and developing cooperative housing and housing policies, tested in on-going projects.

Lacol works from architecture towards social transformation, using architecture as a tool to intervene critically in the local environments. The activity is based on a horizontal system of labor, acting alongside society with the motivation and challenge to achieve a transition towards sustainability in the broadest way possible: political, social, economic and environmental. Lacol’s practice embrace Architecture, Urbanism, Housing policies and Participatory processes, blurring the limits of the different disciplines to define a cross-sectional and participative approach. She has focused on researching participative approaches to design and developing cooperative housing and housing policies, tested in on-going projects.

Guest Seminar: Christoph Schmidt, ifau Berlin

Spaces of Negotiation

R50 Co-housing, Berlin. Topping Out ceremony.

Date: 26/05/2020
Time: 10:00-11:30
Venue: AA Lecture Hall Microsoft Team

What if architecture does not solve conflicts or tries to organize them by assignments?

What if architecture enhanced conflicts to activate their inherent potentials for action and negotiation?

Insights into actual projects of the Berlin based architectural group ifau regarding urban housing development processes in Hamburg and Berlin. According to two projects the participatory planning processes are strongly connected with and controlled by the local communities and the political-administrative municipalities. Developments and participatory planning processes for a new mixed residential and non-residential quarter with sub-cultural forms of use providing a mix of live and work units meeting the needs of artists, producers and creative professionals. The starting point for the spatial layout and design is a collaborative and socially mixed concept of use. Moreover, the comparatively low land prices allow the cross financing of co-operative living and studio spaces within the project.

Create situations for conflicts to be negotiated by the users!

ifau – institute for applied urbanism, Berlin

ifau is a Berlin-based working group of architects with a focus on interrelated, interdisciplinary projects in the field of architecture and urban design. Their flexible methodology extends from research projects to interventions in the urban realm. All of their work aims to involve contextual processes, difference and diversity to create space for negotiation in design development. They are particularly interested in process-oriented strategies and participative design methods. They realised several projects for arts institutions. Their works and texts have been published in numerous books and architectural magazines. References include Palais Thinnfeld in Graz, Casco – Office for Art, Design and Theory in Utrecht, The Showroom in London, Artists Space and Goethe Institute – Wyoming Building in New York, R50-cohousing, Residential and studio building at the former Berlin flower market (IBeB) in Berlin

Christoph Schmidt is a founding member of ifau (institute for applied urbanism, 1998). He studied architecture at the RWTH Aachen University of Technology and the University College of Portsmouth. He worked as a freelance architect in Cologne and Berlin. He has been teaching architecture as assistant professor at the Technical University of Berlin where his research and taught courses where focused on innovative design methods, process-oriented design strategies and cooperative housing projects. Currently he teaches as professor at the department of urban context design at the Peter Behrens School of Arts in Düsseldorf.

Guest Seminar: Silvia Franceschini

Global Tools 1973-1975

When Education Coincides with Life

Date: 12/05/2020
Time: 10:00-11:30
Venue: AA Lecture Hall Microsoft Team

Silvia Franceschini will critically retrace the experience of Radical Design Global Tools and its multidisciplinary school program “without students or teachers.” The Global Tools was founded in 1973 by groups and figures drawn from Italian Radical Architecture (Archizoom, Superstudio, UFO, Mendini, La Pietra, Pettena, Dalisi, and Sottsass among others), Arte Povera, and Conceptual Art (including Davide Mosconi and Franco Vaccari), and ended in 1975 after three years of intense experimentation. Departing from her book on the subject (co-authored with Valerio Borgonuovo and published by Nero Editions), Franceschini will recontextualize the experience of Global Tools among a vast network of historical references and experiences of critical pedagogy and environmental activism.

Silvia Franceschini is a Curator at Z33 House for Contemporary Art, Design & Architecture in Hasselt (BE) and a visual culture scholar whose work focuses on different critiques of modernity. She is a co-author of Global Tools 1973–1975. When Education Coincides With Life (Nero Publishing, 2018) and editor of Curator Without a System (Sternberg Press, Upcoming). Her selected curatorial projects include the research program The Politics of Affinity. Experiments in Art, Education and the Social Sphere, Cittadellarte-Fondazione Pistoletto, Biella (2016–18); the participation in the curatorial team of The School of Kyiv—Kyiv Biennial 2015; the exhibition and public program Global Tools 1973–1975: Towards an Ecology of Design, SALT, Istanbul (2014) and the exhibition The Way of Enthusiasts, Venice Biennial 2012. Since 2009 she has been involved in the curation of exhibitions in various institutions including V-A-C Foundation, Moscow—Venice; The Moscow Biennale for Young Art; Futura—Center for Contemporary Art, Prague; and the Centre Pompidou, Paris. Franceschini holds a PhD in Design and Visual Cultures from the Polytechnic University of Milan and she was a research fellow at the Exhibition Research Lab of the Liverpool John Moores University and at the Strelka Institute for Media, Architecture and Design in Moscow. She has lectured at numerous places such as The Sharjah Biennial, The Istanbul Design Biennial, The Triennale Milano, MAXXI Museum and Konstfack University, among others.

Guest Seminar: Nerma Cridge

Post-Socialist City and Its Negative Casts

Pyongyang Mural.

Date: 10/03/2020
Time: 10:00-13:00
Venue: 37 Bedford Square, 1st Floor, Front Room.

This lecture will compare cities from two communist countries which at first glance, could be seen as the exact opposite from one another. Ex-Yugoslavia which tends to be seen as the most open and least communist, will be juxtaposed with the most defiantly secretive and closed country in the world – North Korea.

Taking Lebbeus Woods’ Sarajevo project in 1993 which dealt with Yugoslavia’s tragic disintegration as a point of departure, we will explore the history, secrets and speculation behind some of the most intriguing architecture in ex-Yugoslavia – including numerous gigantic abstract monuments and hidden military structures.

Counter-posed will be the still officially communist figurative monuments of Pyongyang. The premise behind taking two such different regimes is that by looking at the margins, important traits of the communist architecture as a whole, could be uncovered. Pyongyang’s figurative monuments offer no ambiguity, instead we are confronted with very clear literal meaning. One of the many contradictions of its monumental architecture built on a massive scale with incredible speed, is that even when newly completed most structures appear already out-dated.

There has been a recent surge of interest in both countries lead by photographers. This lecture will seek to redress this imbalance between the large quantities of visual information, which often comes with little explanation of the meaning, history or context.

The concluding parts will seek to define further what could be behind our insatiable yearning for this type of imagery, and argue that, at least in part, it could be attributed to collective nostalgia towards more naïve, simple and innocent times. Towards times when communism appeared to function and even inspire architecture with a true social purpose and responsibility.

Nerma Prnjavorac Cridge grew up in Sarajevo and completed her education in architecture at Birmingham, the Bartlett and the Architectural Association. Since qualifying, she worked for a number of distinguished practitioners including Thomas Heatherwick and art2architecture. Her first monograph Drawing the Unbuildable, based on her PhD thesis at the Architectural Association (supervised by dr Marina Lathouri and Mark Cousins) on the Soviet avant-garde, was published by Routledge in 2015. Nerma currently teaches at the  AA as well as running her small art and design practice Drawing Agency. Forthcoming publications include Restless: Drawn by Zaha Hadid, in Routledge Companion on Women in Architecture edited by Anna Sokolina, and The Politics of Abstraction, Nerma’s second monograph.

Guest Seminar: Jingru Cyan Cheng

Home: A Project of Rural China

Date: 03/03/2020
Time: 10:00-13:00
Venue: 37 Bedford Square, 1st Floor, Front Room.

Jingru (Cyan) Cheng obtained both PhD by Design (2018) and M.Phil Projective Cities (2014) at the Architectural Association (AA) and was the co-director of AA Wuhan Visiting School 2015-17. She is currently a postdoctoral research associate at the Royal College of Art. Her research interests lie in the intersections between disciplines, especially shared ideas and methods by architecture, anthropology and sociology, with a focus on socio-spatial models in China. Employing the design research method, her PhD thesis focuses on rurality as a spatial question at levels of territory, settlement and household. Cyan’s research on Care and Rebellion: The Dissolved Household in Contemporary Rural China received a commendation from RIBA President’s Awards for Research 2018. 

The Yard in Liu Brothers’ Family House, Shigushan Village, 2016 (Photo & Collage by Jingru Cyan Cheng).

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Guest Seminar: Teresa Stoppani, Braden Engel.

Archipelagos of Noises: exploring convolutions of city as island and city as theatre

Date: 21/01/2020
Time: 14:00-16:00
Venue: 38 Bedford Street, Ground Floor Front.

Image credit: Sohei Nishino, i-Land, http://soheinishino.net/i-land

This guest seminar will be co-led by Teresa Stoppani, author of Paradigm Islands: Manhattan and Venice(Routledge, 2010) and Unorthodox Ways to Think the City (Routledge, 2018), and Braden Engel who recently completed his PhD on Colin Rowe’s historiography and pedagogy, with an expert reinterpretation of Rowe’s seminal Collage City
Presentations and discussions will consider the possibility of the city as an island ‘in relation’ with shifting and ambiguous edges to the point of incremental saturation and endless interiority, in convergence with the possibility of the city as theatre, and vice versa, theatre as city, that address questions of construction and curation. The idea of city as island is instrumental to the condition of openness and remote networks, which ‘make archipelago’ of island narratives that, far from closed and isolated, are always ‘full of noises’ (William Shakespeare, The Tempest, III. II. 140-41). From political utopia to continental geophilosophy, complex urban archipelagos are formed through convulsing nomotop, as mythical impossibility, or as personal or sci-fi constructions. These will be linked to moments in Colin Rowe’s unpublished lecture at Cornell University that critically explored the city, from design process to lived experience, as a collective theatre that transgress possibilities of the tragic, the satiric, and the comic. 

Teresa Stoppani is an architect, architectural theorist and critic based in London, where she lectures in History and Theory Studies at the Architectural Association in London. She studied architecture in Venice and Florence, and has taught architectural design and theory in Italy (IUAV Venice), Australia (UT Sydney, RMIT Melbourne) and the UK (Architectural Association, Greenwich, Brighton, Leeds Beckett). Teresa’s research explores the relationship between architecture theory and the design process in the urban environment, and the influence on the specifically architectural of other spatial and critical practices. Teresa is the author of Paradigm Islands: Manhattan and Venice(Routledge, 2010) and of Unorthodox Ways to Think the City (Routledge, 2018), and editor, with Giorgio Ponzo and George Themistokleous, of This Thing Called Theory(Routledge 2016). She is the instigator of the architecture research collective ThisThingCalledTheory, and an editor of (RIBA/Routledge). She is currently working on her next book Architecture Dust.


Braden R. Engel (BS Philosophy and MArch, North Dakota St; MA Histories & Theories, Architectural Association) has been teaching architecture and design history and theory courses for ten years between London and California. He is currently Undergraduate History + Theory Coordinator at the Academy of Art University in San Francisco. Braden’s writing has been published in Architecture and Culture, The Journal of Architecture, AA Files, the Journal of Art Historiography, PLAT, and Planning Perspectives.

BOOK LAUNCH: Neeraj Bhatia (The Open Workshop), hosted by Projective Cities and Diploma Unit 7.

New Investigations in Collective Form

Date: 09/12/2019
Time: 18:30
Venue: 36 Bedford Square, Front Members Room.

More than fifty years have passed since the publication of Fumihiko Maki’s seminal text, Investigations in Collective Form, which argued for collective form as an organizing device to address the increasingly fragmented city and public realm. Today, we continue to face urban challenges – from economic inequality to a progressively fragile natural environment – that, in order to be addressed, require us to come together in a moment when what we collectively value is increasingly difficult to locate. Working within the fluctuating and indeterminate conditions of the urban realm, its public sphere, and its ecological context, this publication examines how collectivity can be formed today. Neeraj Bhatia (the principle of founder of The Open Workshop) will discuss a group of design experiments presented in his book, New Investigations in Collective Form, testing how architecture can empower the diverse voices that make up the public realm and the environments in which they exist.

The book launch will be followed by a conversation with Maria S. Giudici, Pier Vittorio Aureli, Eva Franch i Gilabert, Hamed Khosravi, and Platon Issaias.

for more information, visit: https://www.aaschool.ac.uk/VIDEO/lecture.php?ID=4183

Guest Seminar: Gianna Bottema, EDIT Collective, Julian Siravo.

Radical Care

Date: 01/11/2019
Time: 14:00-16:00
Venue: 38 Bedford Street, Ground Floor Front.

Caption: Gianna Bottema, Housing & Care Cooperatives in the Netherlands: Spatial Diagrams of Cluster Living, detail, 2019.

Gianna Bottema studied architecture at Delft University of Technology and ETH Zurich. After her Master’s degree in Delft she pursued a Taught MPhil (Projective Cities) at the Architectural Association which was focused on the emergence of housing and care cooperatives in the Netherlands. Currently she is working on the research project Collective Home Ownership: New Protocols for Architecture in collaboration with the municipality of Amsterdam.

Caption: EDIT Collective, Act 1, GDP, 2019.

EDIT is an all-female design collective. Formed about a year ago, from RCA graduates, the group shares common interests in issues of social equality, gender biases, environmental activism and the creation of equitable institutional forms. At the Oslo Architecture Triennale 2019, EDIT presented ‘Honey, I’m Home’, a project that explores the domestic realm as a space of performance, in which objects and furniture are props that further enforce heteronormative habits. In an attempt to disrupt these domestic rituals, the project suggests the alteration of the domestic props. The Gross Domestic Product (GDP), for example, is a fictional, provocative prototype for collectivising domestic labour. As an alternative to the capitalist assumption that housework is most efficient when performed individually, the GDP is a device best used by three people. The collective’s aim is to challenge some of our archetypal spaces and structures by suggesting more equitable scenarios.

Caption: Julian Siravo, Stavros Oikonomidis, Care Centres in Vanencia, 2019.

Julian Siravo is an architect and urban designer working in the policy and think tank world. Originally from Rome, Italy, he is a graduate of both the Bartlett and the Royal College of Art. Julian is part of Common Wealth think tank and head of urban research at Autonomy, where he focuses on the spatial implications of new welfare and employment policies, on ageing populations and sustainable forms of leisure.

Guest Seminar: Michal Murawski

Perverting the Power Vertical:

Shapes and Styles of Subversion in the (Trans-Socialist) Global East

Date: 24/04/2019
Time: 10:00-13:00
Venue: 4 Morwell Street, First Floor Back, Projective Cities Studio.

This talk draws its core ethnographic material from fieldwork on architectural aesthetics and contemporary art in Warsaw and Moscow. It deploys the notion of the Power Vertical – a term used by political scientists to refer to Vladimir Putin’s brand of post-Soviet authoritarian governance – as a conceptual pivot. What are the aesthetics of the Power Vertical? Are they resolutely upright and ostentatious, like Moscow’s proliferating neo-Stalinist skyscrapers and turbo-charged Victory Day Parades? Or are they happy-go-lucky, dissipate and chaotic, like Putin’s villainous trickster wink (or Trump’s insomniac Twitter sessions)? Moreover, in the era of resurgent populisms, re-militarization and the oligarchization of capital, are the styles, shapes and affects of the Power Vertical making a mark on the planetary political-aesthetic New Normal?

While seeking to make sense of the Power Vertical, this paper also looks beyond it, exploring the heterodox shapes, styles and ideologies populating the “Global East” – a loosely-sketched zone encompassing the (post-)socialist world and its transnational entanglements. Moreover, it probes ways in which scholars can collaborate with artists, architects and activists from across the Global East: not only to analyse the Power Vertical (not only to take the Power Vertical seriously), but also to develop tactics, strategies and imaginaries to ridicule, trick, twist, undercut, queer, resist and pervert it.

With this in mind, this paper also seeks to highlight the powerful (and subversive) legacies of Actually-existing State Socialism (AeSS) – and its multiple “still-socialist” (Murawski 2018) afterlives – in the Global East and beyond; and it sketches some ideas towards a concept of trans-socialism: a radical and intersectional mode of socialist aesthetics, urbanism and political economy. Trans-socialism theorizes AeSS’s many actual and imagined migrations through space and time (beyond the “socialist block”, as well as beyond the notorious expiry date of 1989-1991); and it mines the Global East for progressive dimensions of the AeSS legacy – in the realms of urbanism, aesthetics, class, gender, race and ecology – which can be re-harnessed to exert a defamiliarizing and destabilizing effect on our late capitalist present and future.

Michał Murawski is an anthropologist of architecture and art based at the School of Slavonic and East European Studies, University College London, where he is Lecturer in Critical Area Studies. His book, The Palace Complex: A Stalinist Skyscraper, Capitalist Warsaw and a City Transfixed, was published by Indiana University Press in 2019; and, in Polish, by the Museum of Warsaw in 2015. During 2017-2018, while a Visiting Scholar at the Vysokovsky Graduate School of Urbanism at the Higher School of Economics in Moscow, he carried out fieldwork for a new book project on architectural aesthetics and politics in Putin-era Moscow. With Jane Rendell, he co-edited A Century of the Social Condenser, 1917- 2017, a special issue of The Journal of Architecture (2017), and he has published in scholarly and media outlets including Third Text: Critical Studies in Contemporary Art and Culture, Comparative Studies in Society and History, Anthropology Today, Social Text, Laboratorium, Focaal, The Calvert Journal, Strelka Magazine, Forbes and The Architectural Review. In 2018, he co-curated the exhibition Portal Zaryadye – featuring 18 new works by Russian artists exploring the relationship between architecture, politics and ecology in contemporary Russia – at the State Shchusev Museum of Architecture in Moscow.

Caption: Zofia Kulik, Human Motif, 1989. Foto-dywan 240cm x 480cm (24 panels 80 x 60cm).

SYMPOSIUM

REPRESENTATIONS/INVESTIGATIONS:

MEDIA IN ARCHITECTURE, THE TERRITORY AND THE URBAN

Date: 26/04/2019
Time: 13:30-18:00
Venue: 36 Bedford Square, AA Lecture Hall.

The event brings together researchers, architects and artists to explore the use of media and representation of space as a form of multiscalar investigation, from architecture to the territory and the urban. From analogue tools to advanced computation, speakers will discuss key projects from their practice that use media beyond the pure representation of architecture but instead as a systematic form of enquiry.

This is the first of a series of public events by the MPhil Projective Cities to foster a transversal conversation and a creative dialogue across different parts and research in the AA.

Organisers: Sam Jacoby, Platon Issaias
Keynote speakers: David Burns, Eva le Roi
Participants: Gili Merin, Samaneh Moafi, Jingru (Cyan) Chen, Hamed Khosravi, Xristina Argyros, Maria S. Giudici, Clara Oloriz, Christina Varvia. 

more information about the event and speakers bios at: https://www.aaschool.ac.uk/VIDEO/lecture.php?ID=4026

Caption: Eva Le Roi, Canal St-Martin. ink on paper, 37 x 56 cm.

David Burns, Tufi 1, 2018.

Guest Seminar: Cristina Gamboa Masdevall

Radical Daily Practices

Date: 27/02/2019
Time: 13:00-17:00
Venue: 4 Morwell Street, Second Floor, Housing and Urbanism Studio Space.

The lecture will describe the relation between the development process of LaBorda, the first housing cooperative built in Barcelona, and its architectural definition. Once the property is at stake and the focus is on use, the requests for the architecture change. In the case of La Borda, the housing need motivation was also challenged by the transition towards sustainability, in the broadest way possible: political, social, economic and environmental.

Cristina Gamboa Masdevall is a chartered architect and teacher. She studied at the Barcelona School of Architecture ETSAB / UPC, and the Faculty of Architecture and Urban Planning / University of Stuttgart. Cristina is co-founder of Lacol, a cooperative of architects established in 2014 in Barcelona, where she has focused on researching participative approaches to design and developing cooperative housing and housing policies, tested in on-going projects.

Guest Seminar: Jingru Cyan Cheng

Home: A Project for Rural China

Date: 22/02/2019
Time: 10:00-13:00
Venue: 4 Morwell Street, First Floor, Projective Cities Studio Space.

Jingru (Cyan) Cheng obtained both PhD by Design (2018) and M.Phil Projective Cities (2014) at the Architectural Association (AA) and was the co-director of AA Wuhan Visiting School 2015-17. She is currently a postdoctoral research associate at the Royal College of Art. Her research interests lie in the intersections between disciplines, especially shared ideas and methods by architecture, anthropology and sociology, with a focus on socio-spatial models in China. Employing the design research method, her PhD thesis focuses on rurality as a spatial question at levels of territory, settlement and household. Cyan’s research on Care and Rebellion: The Dissolved Household in Contemporary Rural China received a commendation from RIBA President’s Awards for Research 2018. 

Caption: The Yard in Liu Brothers’ Family House, Shigushan Village, 2016 (Photo & Collage by Jingru Cyan Cheng). 

Guest Seminar: Elia Zenghelis

Date: 06/02/2019
Time: 10:00-13:00
Venue: 32 Bedford Square, First Floor Back.

Elia Zenghelis studied and taught at the AA from 1956 to 1987. Co-founder of OMA with Rem Koolhaas in 1975 and partner until 1987, when he established Gigantes Zenghelis Architects in Athens. He has taught Advanced Studio at Yale School of Architecture from 2013 to the present. Recipient of the Annie Spink Award for excellence in education in 2000.

Caption: Elia Zenghelis, Zoe Zenghelis. Hotel Sphinx Project, New York, New York (Axonometric), 1975-76. Synthetic Polymer paint and ink on paper, (46.7 x 55.9 cm). MoMA.